From the ASEEES Conference in San Francisco, Professor Chad Bryant of UNC Chapel Hill speaks with us about Czech cultures and in the second half of the episode, Professor Laura Todd of the University of Nottingham lets us in on her research on early 1980s MTV and the Yugoslavian rock scene.
ABOUT THE GUESTS:
CHAD BRYANT (UNC Chapel Hill)
Chad Bryant is Associate Professor of History at UNC Chapel Hill. He studies the social and cultural history of Central and Eastern Europe from the eighteenth century to the present. His research focuses on the Bohemian Lands, most of which now constitute the Czech Republic. His first book, Prague in Black, examined the ways in which Nazi rule radically transformed nationality politics and national identities in the Bohemian Lands. Amongst other works, he has published, with Paul Readman and Cynthia Radding, a collection of essays entitled Borderlands in World History, 1700-1914 that emerged from the University of North Carolina at Chapel Hill’s ongoing collaboration with King’s College London.
LAURA TODD (University of Nottingham)
After studying for a BA (Hons) in Russian with Serbian/Croatian at the University of Nottingham, Laura Todd received her MA from the School of Slavonic and East European Studies (UCL) in Politics, Security and Integration, with a focus on memory politics in Russia and South-East Europe. She was awarded her PhD in Russian and Slavonic Studies from the University of Nottingham in 2016 for her thesis 'Youth Film in Russia and Serbia Since the 1990s'. She has taught in Russian and Slavonic Studies and History at the University of Nottingham and De Montfort University in the areas of Russian, Soviet, Yugoslav and post-Yugoslav history and culture, as well as teaching Russian and Bosnian-Croatian-Serbian language. Her main areas of current research are into the histories of childhood and youth in Russia, the Soviet Union, the Western Balkans (specifically Serbia and Bosnia-Hercegovina), and the Socialist Federal Republic of Yugoslavia. Within this, she focuses primarily on visual culture (photography and film), the representation of childhood and youth, memory, and educational practices in these states. In addition to this, she has research interests in nationalism, memory and commemoration, propaganda and political culture, and heritage in post-conflict and post-socialist states.
EDITOR'S NOTE: Episode recorded during the 2019 ASEEES Conference in San Francisco, California.
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Co-Producer: Tom Rehnquist (Connect: facebook.com/thomas.rehnquist)
Co-Producer: Matthew Orr (Connect: facebook.com/orrrmatthew)
Associate Producer: Samantha Farmer
Associate Producer: Lera Toropin
Associate Producer: Cullan Bendig
Supervising Producer: Kathryn Yegorov-Crate
Executive Editor/Music Producer: Charlie Harper (Connect: facebook.com/charlie.harper.1485 Instagram: @charlieharpermusic, www.charlieharpermusic.com)
Executive Producer & Creator: Michelle Daniel (Connect: facebook.com/mdanielgeraci Instagram: @michelledaniel86, www.msdaniel.com)
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EXECUTIVE PRODUCER'S NOTE: A special thanks to the Center for Russian, East European, and Eurasian Studies for the financial support necessary to take the SlavX team to San Francisco for the multi-day convention. In just a few days, four hosts completed an amazing 18 interviews with unique guests from all over the world. Most of these will be made available on the podcast. Thank you also to the conference directors and staff at ASEEES for being so accommodating and helping SlavX staff find rooms to use as recording spaces. Additional thanks to Professor Craig Campbell at UT for inspiring our supervising producer with the idea to attend the conference and to SlavX team members Katya and Samantha for taking the trouble to apply for travel funds during the busiest time of the semester for grad students. Their initiative is nothing short of amazing to me, and hopefully everybody appreciates their efforts as much as I do. We hope you all enjoy these exclusive interviews!!
Disclaimer: The Slavic Connexion is not in any way affiliated with or supported by ASEEES and does not represent the association or otherwise explicitly endorse ASEEES' values, beliefs, or other views.